{"id":2872,"date":"2019-07-25T12:11:55","date_gmt":"2019-07-25T09:11:55","guid":{"rendered":"https:\/\/m-c-m-e.ru\/eng\/?page_id=2872"},"modified":"2025-08-25T09:50:01","modified_gmt":"2025-08-25T06:50:01","slug":"performers","status":"publish","type":"page","link":"https:\/\/m-c-m-e.ru\/eng\/academy\/performers\/","title":{"rendered":"\u0420erformers"},"content":{"rendered":"

\n

Performers of 15 International Young Composers Academy in Tchaikovsky-city<\/strong><\/p>\n

Moscow Contemporary Music Ensemble (MCME)<\/strong><\/p>\n

\"\"<\/strong>Moscow Contemporary Music Ensemble (MCME) <\/strong>was founded in 1990 by Yuri Kasparov under the patronage of the famous Russian composer Edison Denisov. The ensemble focuses on promoting 20<\/span>th<\/sup>– and 21<\/span>st<\/sup>-century music.\u00a0 It is Russia\u2019s foremost contemporary chamber ensemble and consists of some of the best Russian musicians specializing in modern music. <\/span>MCME has strong educational goals and works closely with both Russian and international cultural foundations to bring contemporary music to a wide range of audiences.\u00a0 As part of this goal, MCME organises the annual fortnight International Young Composers Academy (Tchaikovsky City, Ural) to bring together both young composers and internationally recognized composers in workshops. <\/span>The ensemble\u2019s repertoire is extensive and has included the premieres of almost 1000 different works.\u00a0 MCME regularly performs in diverse locales across Russia (80 cities) and elsewhere in the world (28 countries). MCME has performed on the best concert stages, and taken part in some of the biggest international festivals such as \u201cMoscow Biennale for Contemporary Art\u201d, \u201cDiaghilevFest\u201d (Russia, Perm), \u201cRadio-France presences\u201d (Paris), \u201cFrankfurtFest\u201d, \u201cMaerzmusik-Berlinerfesrspiele\u201d (Germany), \u201cGaudeamus music week\u201d, \u201cThe Night of the Unexpected\u201d (the Netherlands), \u201cWarsaw Autumn\u201d (Poland), \u201cKlangspuren\u201d (Austria), and \u201cTranasrt\u201d (Italy). <\/span>MCME has recorded more than 50 CDs for leading CD labels, including <\/span>Olympia<\/em> (UK), <\/span>Harmonia Mundi<\/em> (France), <\/span>Triton<\/em> (Japan), <\/span>Donemus <\/em>(The Netherlands), and <\/span>Fancymusic<\/em> (Russia). <\/span>In 2009 MCME won the award ACTION in support of theatrical initiatives, and were awarded the GOLDEN MASK in 2013.<\/span><\/div>\n

MCME:<\/strong>
\nKonsyantin Efimov (flute)
\nOleg Tantsov (clarinet)
\nIgnat Krasikov (clarinet)
\nMikhail Dubov (piano)
\nMaria Sadurdinova (piano)
\nEvgeny Subbotin (violin)
\nOlga Demina (cello)<\/p>\n

\"\u042d\u0442\u043eKonstantin EFIMOV (flute)
\n<\/strong>Konstantin Efimov graduated from the Faculty of Historical and Contemporary Performing Arts of the Moscow Conservatory. He is a Laureate of the International Competition for Young Performers on Wind Instruments in Moscow. Soloist-regulator of the Russian National Orchestra. Soloist of the Musica Viva chamber orchestra. Soloist of the ensemble Questa Musica. Soloist of the Moscow Persimfans – a symphony orchestra without a conductor. Member of the Celtic folk group Tellen Gwad.\u00a0 Soloist of the Moscow Ensemble of Andalusian Music. As a guest musician, he collaborates with the Studio for New Music and the Center for Electroacoustic Music at the Moscow Conservatory. He became the soloist of the Moscow Contemporary Music Ensemble (MCME) in 2022.
\nKonstantin Efimov is a musician who freely performs the academic repertoire, folk music and modern experimental avant-garde. She also takes an active part in theatrical productions and performances, feeling comfortable in the territory of interdisciplinary art.
\n<\/strong><\/p>\n

Oleg TANTSOV (clarinet)
\n<\/strong>Oleg Tantsov was born in 1957 in Moscow. He graduated from the Central Musical School, Moscow State Tchaikovsky Conservatory (class by professor V.Petrov) and Post-Graduated Course of the Conservatory. O. Tantsov is a laureate of All-Russian and International Performing Competitions, since 1998 he is the Honored Artist of Russia.\u00a0 He collaborated with TV and Radio State Symphonic Orchestra (conductor Maxim Schostakovich), State Cinema Symphony Orchestra, State Academic Symphonic Chapel (conductors Gennady Rozhdestvensky and Valery Polyansky). Since 1990 Oleg Tantsov is a soloist of Moscow Contemporary Music Ensemble. He is a professor and chief of the Wind department the State Musical College under the Moscow Conservatory. Besides he has a Class of chamber music ensemble in Ippolitov-Ivanov Music-Pedagogical Institute, being there also a chief conductor of \u201cEnsemble XX\u201d. At the moment he is a chief of the Wind Department of the Central Music School (College) under Moscow Conservatory. As a soloist and chamber player Oleg Tantsov took part at the famous international contemporary music festivals such as \u201cGaudeamus Music Week\u201d (Amsterdam), \u201cWarsaw Autumn\u201d (Poland), \u201cMoscow Autumn\u201d (Moscow), \u201cDiaghilev Seasons\u201d (Perm), \u201cRadio France Presences\u201d (Paris), \u201cTage fuer Neue Music Zurich\u201d (Zurich), \u201cTokyo Summer Festival\u201d (Tokyo), \u201cMaerzMusik\u201d (Berlin), \u201cKlangspuren\u201d (Innsbruck) and other. In 1997 he was invited as a soloist by \u201cEnsemble Modern\u201d for the special project (Frankfurt\/Main, Berlin, Vienna). He was recorded by well-known international companies, Olympia (UK), Le Chant du Monde\/Harmonia Mundi (France), Triton (Japan) are among them. A lot of Russian and foreign composers composed and dedicated their music to Oleg Tantsov. He was a first who initiated and performed in Russia premiers of Russian and foreign composers, for instance, \u201cEchange\u201d by Iannis Xenakis, \u201cAmore\u201d by Karlheinz Stockhausen, Sonata for clarinet and piano by Edison Denisov, etc. Oleg Tantsov gives a lot of time to teaching, research and methodical work. He created and published a lot of professional researches and books on execution of contemporary music for wind instruments, among them are \u201cNew directions for clarinet\u201d, \u201cNew directions for flute\u201d and others.<\/p>\n

\"\"<\/p>\n

Mikhail DUBOV <\/strong>(piano, cembalo, organ) \u00ad
\nMikhail Dubov is a pianist and musicologist, a laureate of Seiler prize and Action premium. Graduated from the Moscow Tchaikovsky conservatory. Studied piano with prof. V.\u00a0Gornostaeva, organ and cembalo with prof. A.\u00a0Parshin. Defended Ph.D. thesis on Iannis Xenakis, now proceeding musical research. At present he is a professor of the Moscow conservatory (piano, ensemble and XXth century music history) and Ippolitov-Ivanov musical college, being there one of the founders of contemporary music chair. Mikhail Dubov became a member of the Moscow philharmonic ensemble \u201cOld Music Academy\u201d (leaded by Tatiana\u00a0Grindenko) in 1992, where engaged in authentic performing of baroque masterpieces. Was invited for several programs by Jury Bashmet (\u201cMoscow soloists\u201d) and \u201cMadrigal\u201d ensemble. Since 1993 Mikhail Doubov is a soloist of the Moscow Contemporary Music Ensemble. As a soloists and chamber performer he played concerts and participated in festivals in many countries. He is the first performer of numerous works by Russian and foreign authors (up to the moment about 50 world premiers), including works by E. Denisov, D. Kurtag. Took part at dedicated concerts of I. Xenakis, H.-W. Henze, E. Denisov, T.\u00a0Loevendie. Appeared at the most significant European new music festivals \u201cGaudeamus\u201d (Amsterdam, 1995, 2001, 2003), \u201cWarsaw autumn\u201d (1997, 2004), \u201cMaerzmusik\u201d (Berlin, 2009) and others, at many of them as a constant participant. During a number of seasons have been performing series of XX century solo piano concert programs. Performed as soloist with well-known orchestras: \u201cEnsemble Modern\u201d from Frankfurt (cond. J. Nott), Moscow State academic symphony, St.-Petersburg Mariinsky orchestra (cond. J. Nozeda), Bolshoi TV and radio symphony, National Philharmonic Orchestra of Russia, including Russian premieres of piano concerto \u201cSynaphai\u201d by Xenakis and Concerto pour four soloists and orchestra by Messian at the Bolshoi Hall of the Moscow Conservatory with conductor Daniel Kawka. Mikhail Dubov participated in more than 40 CD recordings at different labels: \u201cMelodija\u201d (Russia), \u201cOlympia\u201d (Great Britain), Publishing House\u00a0 \u201cLe Chant du Monde\u201d (France), \u201cMeldac\u201d (Japan), \u201cMegadisk\u201d (Belgium), \u201cRussian disc\u201d etc., mostly with XX century music. Published about 20 works in Russian editions on such topics as Varese, Xenakis, Schostakovich, Denisov. Participated in a number of international conferences concerning contemporary music.
\nMikhail Dubov \u2013 professor of Moscow State Conservatory, a dean of the Historical and Contemporary Performing Faculty<\/p>\n

\"This<\/p>\n

Evgeny SUBBOTIN (violin)<\/strong>
\nEvgeny Subbotin is a violinist, violist, arranger, multiinstrumentalist. In 2005 he graduated with honors from the Moscow State Conservatory in the class of Professor A. B. Trostyansky. He is a laureate of International and all-Russian Violin Competitions, winner of the Rakhmaninov International Festival. In 2009 he organized the FX Quartet string quartet, the repertoire of which was based on the arrangements and author\u2019s music of Eugeny. In the quartet he became the winner of the International Competition Usadba Jazz (2013) and the finalist of the TV project Quartet 4 * 4 on the State Russian channel \u201cCulture\u201d (2018). For 10 years he held the position of concertmaster of second violins group in the Russian National Philharmonic Orchestra. As a concertmaster he also collaborated with different orchestras such as \u201cMusica Viva\u201d (under Alexander Rudin), \u201cQuesta Musica\u201d, \u201cMusicAeterna\u201d (under Theodor Currentzis), Moscow Symphony Orchestra, \u201cFour Seasons\u201d, participated at the leading music festivals such as \u201cDiaghilev Festival\u201d, \u201cMoscow Autumn\u201d, \u201cViola in my Life\u201d, etc. He actively promotes contemporary music and since 2017 he constantly collaborates with the MCME as a soloist. His partners in chamber ensembles were Alexander Rudin, Alexander Trostyansky, Arkady Shilkloper, Grigory Krotenko, Petr Aidu, Sergei Poltavsky and other leading musicians.<\/p>\n

\"\u042d\u0442\u043eOlga DEMINA (cello)
\n<\/strong>Olga Demina was born into a family of hereditary musicians. From an early age she studied piano, but later she preferred the cello. She graduated with honors from the Central Music School at the Moscow Tchaikovsky State Conservatory in the class of Andrei Demin, then continued her studies at the Moscow Conservatory in the class of Professor Natalia Shakhovskaya. Olga is a Laureate of international music competitions (including the Geran International Competition (1st prize) and the P.I. Tchaikovsky Youth Competition (3rd prize). Soloist of MCME, the Sergey Mazaev\u2019s QueenTet ensemble, soloist of the Persimfans orchestra and other chamber and symphonic ensembles of Moscow. As a member of MCME, she took part in concerts and educational projects, such as “Composer’s Readings”, master classes, composer and performing workshops, taught at the Practicums of Contemporary Academic Music. Olga Demina writes music for spectacles and films, in particular, “Mother’s Field” (Pushkin Theatre, Moscow), “Lady with Camellias” (Pushkin Theatre, Moscow), the documentary “Friedl” (2019, Kultura TV channel), etc. She is also a theater actress. Performances with her participation are on the stages of theaters et Cetera and the Pushkin Theatre.The performance with her participation “War” (dir. V. Pankov) opened the 68th Edinburgh Festival.<\/p>\n

Ensemble “CEAM-Artists”<\/strong><\/p>\n

The Scientific and Creative Center for Electroacoustic Music (CEAM) was founded in 2006. This is an unique department of the Moscow State Conservatory, which has no analogues in Russia. The center has modern professional equipment and has a lot of activities in the field of electro-acoustic and multimedia composition. Also one of the most important areas of the CEAM work is research of the history and theory of electroacoustic music in all its variety of forms based on the world experience, as well as the preparation of educational and methodological publications. In recent years, the CEAM has been expanding its activities: laboratories of contemporary music, seminars, lectures, master classes, creative meetings. In 2022, the Moscow Conservatory hosted the First Biomechanics Multimedia Festival, which included the first concert of CEAM Artists, an ensemble of the Center for Electroacoustic Music. The repertoir of the ensemble is based on electro-acoustic music and compositions with multimedia. Soloists of CEAM Artists are musicians with rich experience of performing contemporary music, who are ready for any experiments.<\/p>\n

CEAM-Artists:
\n<\/strong>Yulia Migunova (cello, electronics)
\nSergei Khvorostianov (bassoon, electronics)
\nVenedikt Peunov (accordion, electronics)
\nPhilipp Fitin (percussion, electronics)
\nFeodosiya Mironova (piano)<\/p>\n

\"\"<\/p>\n

Yulia MIGUNOVA<\/strong> was born in Nizhny Novgorod. She graduated from Nizhny Novgorod State Conservatory in 2009 (class of cello of Vishniewsky P. D.). As a member of various ensembles she took part in master classes with such artists as specialist of authentic performance Christoph Meier, winner of Yuri Bashmet International Viola Competition Daniil Grishin, \u00abVermeer-Quartet\u00bb, \u00abJerusalem-quartet\u00bb, \u00abDebussy-quartet\u00bb. Since 2006 she is a member of Cantando string quartet, with which she became a winner of numerous international competitions and festivals in Russia, Germany, France, Greece, Serbia. In 2011 the quartet won the I All-Russian Music Competition in Moscow. Since 2011 Yulia (both as soloist and as a member of different ensembles) becomes an active participant of contemporary music festivals collaborating with soloists and composers from Russia, Ukraine, Poland, France, Spain, Austria, Denmark, Italy, Germany and others. In 2008-2013 – artist of the Chamber Orchestra “Soloists of Nizhny Novgorod”, from 2013 – soloist of the Nizhny Novgorod Rostropovich Philharmonics Symphony Orchestra. Since 2015 she is actively cooperating with Moscow Contemporary Music Ensemble.<\/p>\n

\"\"Venedikt Peunov<\/b> (Russia, Nizhny Novgorod) \u2013 bayanist, conductor, associate professor at the Glinka Nizhny Novgorod Conservatory, member of the Union of Composers of Russia. As a performer, he is a laureate of international competitions (Italy, USA, Russia). Soloist and arranger of the STYLE-QUARTET ensemble. Participant in various contemporary music festivals: \u201cAnother Space,\u201d \u201cBiomechanics,\u201d \u201cFive Evenings\u201d (Moscow), \u201cOPUS 52\u201d (Nizhny Novgorod), \u201cEurope-Asia\u201d (Kazan), \u201cBayan-Parade\u201d (Ukraine, Odessa), \u201cProbaltica\u201d (Poland, Toru\u0144).
\nHe has performed at the Great, Rachmaninoff, and Small Halls of the Moscow Conservatory, Tchaikovsky Concert Hall, the Great Hall of the St. Petersburg Philharmonic, and the State Academic Capella of St. Petersburg, among others. Since 2022, soloist of the CEAM Artists. Laureate of the Nizhny Novgorod Award.<\/p>\n

\"\"Sergei Khvorostyanov<\/strong> is a bassoonist, composer, and improviser. He was born in 2002 in Moscow and is currently a student at the Haute \u00c9cole de Musique de Lausanne (HEMU) in Switzerland. An award-winning musician, he is a laureate of international competitions.<\/p>\n

Sergei has been a participant in projects such as “Open Space” (Moscow, 2024), Synesthesia Lab (Kazan, 2024), the “Living Tradition” residency (Karachay-Cherkessia, 2025), and the TT Residence (Perm, 2025). He has collaborated with the Proton Ensemble (Bern, Switzerland), the Lausanne Sinfonietta (Switzerland), the Verbier Festival Junior Orchestra (Switzerland), as well as with various choirs in Switzerland and numerous orchestras in Russia.<\/p>\n

Vocal Ensemble N’CAGED<\/strong><\/p>\n

\"\u042d\u0442\u043eVocal Ensemble N’CAGED was founded by Arina Zvereva in 2013. Participants are Arina Zvereva, Olga Rossini, Sergey Malinin, Ilya Laptev. They perform contemporary music, collaborate with composers in opera and drama productions, concert programs, performances and museum projects. N\u2019Caged participated at the concert series of the Moscow International Music House. The ensemble is laureate of the national theater award “Golden Mask” (2021). The ensemble’s projects include the opera Prose (director and composer Vladimir Rannev, Stanislavsky Electrotheatre), the opera Octavia. Trepanation (composer Dmitry Kurlyandsky), operas Maniosis, Maniosis 2, The Book of Seraphim (director and composer Alexander Belousov), Asteroid 62 (composer Dmitry Kurlyandsky), opera series The Drillers (composers: Dmitry Kourliandski, Boris Filanovski, Alexei Sioumak, Sergei Newski, Alexei Sysoev, Vladimir Rannev), \u201cDostoevsky 200\u201d (New Space of the Theater of Nations), Performance \u201cUtopia for Dinner\u201d (Tretyakov Gallery in Samara). Most of the compositions are released on the FANCYMUSIC label.<\/p>\n

N’CAGED:<\/strong>
\nArina Zvereva
\nOlga Rossini
\nSergei Malinin
\nIlya Laptev<\/p>\n

\"\"Arina Zvereva <\/b>graduated from the Moscow Tchaikovsky Conservatory. Founder and Artistic director of the vocal ensemble of contemporary music \u201cN\u2019Caged\u201d. She taught at the Moscow Conservatory, then collaborated as a choirmaster with MusicAeterna and Teodor Currentzis. As a musical director and vocal coach she works with the Gogol Center. Together with the Moscow Contemporary Music Ensemble (MCME) as a conductor and musical director, she participated in productions by Kirill Serebrennikov at the Moscow Art Theater. Since 2013 she is a head of the vocal ensemble of the Electrotheatre \u201cStanislavsky\u201d. Among the numerous works at the Electrotheatre is the play “Prose” (director and composer Vladimir Rannev). Laureate of the Russian Opera Award \u201cCasta Diva\u201d, Winner of the National Theater Award “Golden Mask”, Special Prize of the Jury of the Musical Theater – “For the deep disclosure of the musical and artistic image, as well as for the development and expansion of modern vocal techniques”<\/p>\n

\"\"Olga Rossini <\/b>graduated from the Perm Music College, specializing in choral conducting and solo singing (1998) and the conducting and choral faculty of the Moscow State Conservatory (2003). Choirmaster at the Opera House of the Moscow State Conservatory (2009-2016). Artist of the choir of the Moscow Stanislavsky and Nemirovich-Danchenko Musical Theater (2003\u2013present). Choirmaster of the Taganka Theater (2018-2020). Since 2013, as a soloist of the vocal ensemble N\u2019Caged, she has been performing works by contemporary composers, including solo parts in the opera series \u201cDrillers\u201d by Boris Yukhananov (composers: Dmitry Kourliandskyi Boris Filanovski, Alexey Sioumak, Sergey Newski, Alexey Sysoev, Vladimir Rannev), the opera \u201cProse\u201d by Vladimir Rannev (the performance is a five-time nominee of the Russian national award \u201cGolden Mask\u201d \u2013 2018, laureate of the Casta Diva award \u2013 2017), the opera \u201cThe Book of Seraphim\u201d by Alexander Belousov at the Stanislavsky Electrotheatre.<\/p>\n

\"\"Sergei Malinin <\/b>graduated from the Popov Choral Art Academy. Since 2013 he is a soloist of the ensemble N’CAGED. Participated in the projects: “Border Zone” (the “Platform” project), “Play.list” (the “Future Music” festival), “Asteroid 62” (the “Opergroup” contemporary opera laboratory), Performance “Passion for Martin” (Art-Ovrag – 2018 festival), Performance “Utopia for Dinner” (Tretyakov Gallery in Samara), “Dostoevsky 200” (New space of the Theater of Nations), “Love.Epilogue” (Moscow Museum), performance “Workers’ settlement” (PERMM), Performance “Silent Opera: In Search of the Protagonist” (Bibliotheca space), Opera series “Drillers” and “Nonsensorics of Dreams” (Stanislavsky Electrotheatre), opera “Octavia.Trepanation” (Musicgebouw, Teatro Olimpico, Electrotheatre \u201cStanislavsky\u201d). Guest Soloist of the Electrotheatre Stanislavsky since 2015. Nominee of the national theatre award “Golden Mask” for the opera series “Sverliytsy” in 2016 and the opera “The Book of Seraphim” in 2021.<\/p>\n

\"\"Ilia Laptev <\/b>graduated from the Ural State Pedagogical Institute. Since 2020 he is a soloist of the N\u2019Caged ensemble.<\/p>\n

Participated in the following projects: Performance “Utopia for Dinner” (Tretyakov Gallery in Samara), “Dostoevsky 200” (New Space of the Theater of Nations), performance “Workers’ Settlement” (PERMM), “Love.Epilogue” (Moscow Museum), installation “I must go seek some dewdrops here” (GES-2), Performance “Silent Opera: In Search of the Protagonist” (Bibliotheca space), Opera series “Nonsensorics of Dreams” (Stanislavsky Electrotheatre), festival “Five Evenings” (Union of Composers of Russia). Invited soloist of the Stanislavsky Electrotheatre since 2020.<\/p>\n

SOUND AND LIGHT PROVISIONS FOR CONCERTS<\/strong><\/h2>\n

\"\"Ilya Kovalsky, sound<\/strong> Ilya is sound engineer of the scientific and creative center of electro-acoustic music of the Moscow Conservatory. P. I. Tchaikovsky CEAM (work with the composer on the premiere, audio recording, editing, conducting rehearsals and concerts of ensembles, setting up and minor repairs of equipment, technical support for broadcasts on youtube). He worked as a sound engineer in the cultural institutions of Novosibirsk – in the theater “Old House”; sound and video director at MDT “First Theater”; specialist in online broadcasts at Pobeda Cultural Center, Novosibirsk; project coordinator in KB “Engiro”, etc.<\/p>\n

\"\"Igor Pavlov, light<\/strong> was born in G. Pushkino, Moscow region, graduated from MBOU secondary school No. 8 in Pushkino, after which he graduated from the Prokofiev Musical College with a degree in orchestral wind and percussion instruments. In parallel with school, he studied for 5 years at the school of programmers from Yandex. Currently, he is studying at State Theater Institute in the specialty \u201cSound engineering of mass cultural and concert programs\u201d.<\/p>\n

\"\u042d\u0442\u043eIlnur Gabidullin, sound-engineer<\/strong> is a leading sound engineer at the Center of Electroacoustic Music of Moscow Conservatory (CEAM).\u00a0 He is engaging concert, stage and site-specific projects of contemporary composers, including \u201cThe Mystery of High Pressure\u201d at the Power Engineering Plant in Chekhov city, the audiovisual performance _diffusio.extensio at the Diaghilev Festival, the multimedia opera \u201cCuriosity\u201d at the Stanislavsky Electrotheatre and the documentary opera \u201cAscet\u201d at the Museum of Moscow. <\/span>He ran festivals and in touring projects of dance ensembles as a sound producer and composer. He worked as a composer’s assistant in the creation of films and performances, including the film \u201cA Real Fairy Tale\u201d directed by. A. Marmontov and S. Bezrukov, musical performance \u201cRomeo and Juliett\u201d directed by E. Shumilova.\u00a0 <\/span>He graduated from the Ufa State Academy of Arts named after Ismagilov as an accordion player. Ilnur is a winner of major international competitions, he also took part at the concerts as a performer in different cities of Russia and Europe.<\/span><\/p>\n

\"\"Alexander Bedin<\/b> (artist, programmer, engineer). His interests focus on modeling techno-artistic objects and systems, as well as exploring them in various socio-cultural and artistic contexts. Since 2020, he has been studying at the Rodchenko School of Photography and Multimedia (workshop of Oleg Makarov and Vladislav Efimov). He also provides technical consulting. Co-author of media installations in a duo with Aram Karsi. His works have been presented at various exhibitions and projects, including \u201cObservation Order\u201d (Rodchenko School, Moscow, 2022), \u201cLayering On\u201d (Rodchenko School, Moscow, 2022), \u201cOpen Day: Mixed Media Week\u201d (Rodchenko School, Moscow, 2023), \u201cI Will Avenge the World with Love\u201d (GROUND Solyanka, Moscow, 2023), \u201cElectric Dreams\u201d (Artemyev Center of the Moscow Conservatory, Moscow, 2024).<\/p>\n

<\/div><\/p>\n

\n

I academy<\/p>\n

II academy<\/p>\n

III academy<\/p>\n

IV academy<\/p>\n

V academy<\/p>\n

VI\u00a0academy<\/a><\/p>\n

VII academy<\/a><\/p>\n

VIII academy<\/a><\/p>\n

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<\/div><\/p>\n

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