{"id":2275,"date":"2017-08-30T23:28:30","date_gmt":"2017-08-30T20:28:30","guid":{"rendered":"http:\/\/m-c-m-e.ru\/eng\/?page_id=2275"},"modified":"2023-04-15T13:43:05","modified_gmt":"2023-04-15T10:43:05","slug":"prepodavateli-vi-akademii","status":"publish","type":"page","link":"https:\/\/m-c-m-e.ru\/eng\/academy\/prepodavateli_academy\/prepodavateli-vi-akademii\/","title":{"rendered":"\u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0432\u0430\u0442\u0435\u043b\u0438 VI \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438"},"content":{"rendered":"
\n

PROFESSORS AND GUESTS OF VI ACADEMY<\/strong><\/p>\n

<\/a><\/p>\n

Fabien L\u00e9vy (France)
\n<\/strong>studied composition with G\u00e9rard Grisey at the Conservatoire National Superieur de Musique in Paris. He received a Ph.D. in musicology from the EHESS. He worked at IRCAM as pedagogical advisor (1999-2000) and lectured in the musicology dept at the Sorbonne University (Paris). He taught orchestration from 2004-2006 at the Hochschule f\u00fcr Musik Hanns-Eisler in Berlin (Germany), and was 2006-2012 Assistant Professor of Composition at Columbia University in New York (USA) and is currently professor for composition at the Hochschule f\u00fcr Musik Detmold in Germany.
\nHis works, published by Billaudot and Ricordi Germany, have been performed in the entire world by ensembles and soloists including J.-G. Queyras, the Ensemble Recherche, 2E2M, the Argento Ensemble, the neue Vocalsolisten Stuttgart, the Ensemble Modern, the Tokyo Philharmonic Orchestra or the Berlin Radio Symphony orchestra. In 2001 he was resident of the DAAD Berliner K\u00fcnstlerprogram in Berlin and in 2002-2003 of the Villa Medici \/ French academy in Rome. He won the 2004 F\u00f6rderpreis from the Ernst von Siemens Foundation for music. He lives in Berlin.<\/p>\n

\"\"<\/p>\n

Carola Bauckholt <\/strong>(Germanny)
\n<\/strong>1959\u00a0born in Krefeld, Germany
\n1976-84\u00a0worked at the Theater am Marienplatz in Krefeld
\n1978-84\u00a0studied at the Cologne Musikhochschule with Mauricio Kagel
\n1985\u00a0co-founder of the Th\u00fcrmchen Publishing House (Th\u00fcrmchen Verlag, K\u00f6ln)
\n1990\/91\u00a0Schloss Solitude Academy Scholarship in Stuttgart
\n1991\u00a0co-founder of the Th\u00fcrmchen Ensemble K\u00f6ln
\n1992\u00a0Schreyahn Artists’ Colony Scholarship in Lower Saxony
\n1995\u00a0a grant-in-aid from the North Rhine Westphalian Foundation for Art and Culture
\n1997\u00a0Villa Massimo Scholarship in Rom
\n1998\u00a0Female Artists’ Prize of North Rhine-Westphalia
\nShe has received composition prizes at the following competitions: Young Composers of North Rhine-Westphalia, B. A. Zimmermann Today, Bernd Alois Zimmermann Grant from the City of Cologne, World Music Days (1987), Cologne-New York Exchange (1989), West German Radio Competition (1989), Carl Maria von Weber Competition (Dresden 1992\/3), Gedok International Orchestral Competition (1994), Stuttgart Composers’ Competition (second prize) and Boswil International Composers’ Competition (second prize). She was also chosen for the World Music Days in Copenhagen (1996) and Seoul (1997) and for the Blaue Br\u00fccke in Dresden (1996).
\nThe main focus of Carola Bauckholt’s music falls on thinking about the phenomenon of perception and understanding.<\/p>\n

\"\"<\/p>\n

Oscar Bianchi<\/strong> (Switzerland)
\nBorn in Milan from a swiss family, completed degrees in composition, choir conducting and electronic music at the Giuseppe Verdi conservatory of Milan. He pursued studies in composition taking part in master programs such as at IRCAM – Centre Pompidou and with a doctoral degree at Columbia University in New York. Commissioned by the Aix-en-Provence Festival and Th\u00e9\u00e2tre & Musique, his first opera, Thanks to My Eyes, libretto and direction by Jo\u00ebl Pommerat, received critical acclaim by audiences and critics alike. His music has been performed by outstanding ensembles and orchestras such as Orchestre Philharmonique de Radio France, Deutsche Symphonie Orchester, Orchestra della Svizzera Italiana, Ensemble Modern, Klangforum Wien, Collegium Novum Z\u00fcrich, Ensemble Contrechamps Geneve, Phoenix Ensemble Basel, \u00a0\u00a0Ensemble Laboratorium, JACK quartet, Les Percussions de Strasbourg, Ictus, Quatuor Diotima, Ensemble Remix, Nieuw Ensemble, Ensemble l\u2019Itineraire, \u00a0\u00a0International Contemporary Ensemble, Alarm Will Sound, David Grimal, Kammerensemble f\u00fcr neue Musik Berlin, Drumming Grupo de Percuss\u00e3o from Porto, Osterreichiches Ensemble f\u00fcr neue Musik, Sound\u2019arte. Upcoming projects include new works for Orchestra della Svizzera Italiana, Oper Theatre Basel, The Bavarian Radio Symphony Orchestra, Ensemble Modern, Jack, Diotima, Jo\u00ebl Pommerat, Maud Le Pladec. In 2013 his CD Portrait won the German Record Critics’ Award and a recording of his cantata MATRA has been just released under the label Cypres.<\/p>\n

\"\"<\/p>\n

Michael Smetanin<\/strong> (Australia)
\nMichael Smetanin is one of the most distinctive figures among\u00a0 Australian composers. Born in Sydney in 1958 of Russian parents he completed study at the Sydney Conservatorium\u00a0 1981 and then having been awarded an International Fellowship by the Music Board of the Australia Council and a Netherlands Ministry of Education and Science scholarship went to study with leading Dutch composer Louis Andriessen at the Royal Conservatorium in the Hague. Smetanin\u2019s music has been extensively performed and recorded internationally\u00a0 with works appearing on over 30 individually released CD albums. The title of his work The Ladder of Escape<\/em> <\/strong>was appropriated as the\u00a0 name of an entire new music CD series released by Attacca records and performances include a Bremer Podium (Portrait) Konzert at Radio Bremen in Germany. More recent major works include his Piano Concerto entitled Mysterium Cosmographicum<\/em> premiered by the Sydney Symphony Orchestra with Lisa Moore as soloist in 2005 and Microgrpahia <\/em>\u00a0commissioned and premiered by the Schoenberg Ensemble in Amsterdam in 2007.\u00a0 Since then he has written works for ensembles such a Crash (Ireland), Insomnio (Holland) and has recently\u00a0 completed work on his 4th<\/sup> opera entitled\u00a0 Mayakovsky<\/em> which was premiered in 2014. His most recent work Klang-Tek <\/em>\u00a0will be premiered in Holland in September 2016. Smetanin is an Associate Professor of Composition at the Sydney Conservatorium of Music.<\/p>\n

\"\"<\/p>\n

Sergej Newski <\/strong>(Germany \/ Russia)
\nSergej Newski was born in Moscow in 1972. He studied composition with J\u00f6rg Herchet at the Hochschule f\u00fcr Musik in Dresden, and with Friedrich Goldmann at the Universit\u00e4t der K\u00fcnste in Berlin. There he also studied music theory and pedagogy with Hartmut Fladt. Masterclasses with Vinko Globokar and Matthias Spahlinger, meetings with Helmut Lachenmann, Beat Furrer and Helmut Oehring, and contacts with the free improvisation scene in Berlin have all had a lasting influence on his development as a composer. Since 1994 his music has been performed at the leading international New Music festivals, including the Donauechingen Festival, Wien Modern, \u00c9clat, the Gaudeamus Music Week, the Berliner Festwochen, the ISCM World New Music Days, the Moscow Territoryfest, and UltraSchall. He has received commissions from, among others, the Deutsche Staatsoper Unter den Linden, the Berlin Konzerthaus, Ruhrtriennale, Klangforum Wien, the Scharoun Ensemble, the Neue Vocalsolisten Stuttgart, etc. Interpreters of his music include not only Klangforum Wien, the Neue Vokalsolisten and Ensemble Modern, but also the Nieuw Ensemble, Musikfabrik, the Moscow Contemporary Music Ensemble, KNM Berlin, ensemble mosaik, as well as soloists and performers such as Teodoro Anzellotti, Natalia Pschenitschnikowa, and conductors like Peter Rundel, Johannes Kalitzke, J\u00fcrg Wyttenbach, Titus Engel, Enno Poppe, Teodor Kourentzis und Vladimir Jurowski. In 2006 Sergej Newski won 1st Prize at the Landeshauptstadt Stuttgart composition competition for his piece\u00a0Fluss<\/em>\u00a0(2005 version). In addition, he has gained various scholarships, including those from the Villa Massimo\/Casa Baldi, Villa Serpentara, K\u00fcnstlerhof Schreyahn, Cit\u00e9 Internationale des Arts Paris, the Berlin Senate and the Akademie der K\u00fcnste in Berlin. 2011-12 Sergej Newski is music curator for the project Platform, a series of events organized by the Center for Contempoary Art Vinzawod in Moscow, supported by the Russian Cultural Ministry. 2012- guest lecturer for composition at State University of St. Petersburg. Sergej Newski lives both in Berlin and in Moscow.<\/p>\n

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I academy<\/a><\/p>\n

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VI academy<\/a><\/p>\n

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VIII academy<\/a><\/p>\n

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XII academy<\/a><\/p>\n

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