{"id":1948,"date":"2017-02-13T12:36:56","date_gmt":"2017-02-13T09:36:56","guid":{"rendered":"http:\/\/m-c-m-e.ru\/ru\/?page_id=1948"},"modified":"2023-04-15T13:45:13","modified_gmt":"2023-04-15T10:45:13","slug":"prepodavateli-v-academy","status":"publish","type":"page","link":"https:\/\/m-c-m-e.ru\/eng\/academy\/prepodavateli_academy\/prepodavateli-v-academy\/","title":{"rendered":"\u043f\u0440\u0435\u043f\u043e\u0434\u0430\u0432\u0430\u0442\u0435\u043b\u0438 V \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438"},"content":{"rendered":"
\n

PROFESSORS OF V ACADEMY<\/strong><\/p>\n

\"\"Beat Furrer
\n<\/strong>Beat Furrer (1954) is one of the most important composers today. His first opera,\u00a0Die Blinden,<\/em>\u00a0was commissioned by the Wiener Staatsoper and premiered in 1989 at Wien Modern. Under the baton of Claudio Abbado,\u00a0Face de la Chaleur<\/em>\u00a0<\/em>was performed in Vienna in 1991.\u00a0Narcissus<\/em>\u00a0was premiered in Steirischen Herbst at the Graz Opera in 1994, and, in 1996, the concerto for two pianos and orchestra,nuun,<\/em>\u00a0was premiered at the Salzburger Festspielen, while, in the same year, Furrer was Composer in residence at the Lucerne Festival. Premieres followed for, among others,\u00a0spur<\/em>\u00a0for piano and string quartet in Vienna, and\u00a0still<\/em>\u00a0for ensemble and piano (1998) in Z\u00fcrich. Premieres in 2001 includedOrpheus B\u00fccher<\/em>\u00a0in Donaueschingen and a work for music and theatre,\u00a0Begehren<\/em>, at Steirischen Herbst in Graz. A piece for H\u00f6rtheater entitled FAMA, premiered in 2005 at the Donaueschinger Musiktagen in a specially-constructed acoustic room, was enthusiastically received at its debut and first run of performances (Vienna, Paris, Venice Biennale). A concerto for piano and orchestra was premiered in 2007 at the WDR in Cologne. Furrer’s newest opera,\u00a0W\u00fcstenbuch<\/em>, premiered in March 2010 at the Opera House of Basel, and was soon after presented in Berlin at the Festival M\u00e4rzmusik and in Vienna at the Wiener Festwochen.
\nIn 1992, Furrer received the Grant-in-aid from the Siemens Foundation. He was honoured with composition prizes from the cities of Duisburg ( 1994) and Vienna (2003), and has been a member of the Akademie der K\u00fcnste in Berlin since 2005. Beat Furrer was awarded the \u201dGolden Lion\u201d at the Venice Biennale 2006 for his work FAMA and for his contribution to this innovative form of music theatre.
\nSince Autumn 1991, Beat Furrer has served as Professor of Composition at the University for Music and Performing Arts in Graz.
\nFurrer was born in Schaffhausen, Switzerland, and studied conducting with Otmar Suitner and composition with Roman Haubenstock-Ramati.
\nIn 1985, he founded the Ensemble Klangforum Wien. he remained its director until 1992. Currently, he continues his connection with the ensemble as conductor.<\/p>\n

\"\"Raphael Cendo
\n<\/strong>Raphael Cendo was born in 1975, studied piano and composition, first at Paris Ecole Normale de Musique, then at Conservatoire National Sup\u00e9rieur and completed the program for composition and electronic music at IRCAM in 2006. He studied composition with Allain Gaussin, Brian Ferneyhough, Fausto Romitelli and Philippe Manoury. Rapha\u00ebl Cendo has written compositions for internationally renowned ensembles such as L\u2019Itin\u00e9raire, the National Orchestra of \u00cele de France, Ensembe Intercontemporain and Ensemble Modern.
\nMany of his compositions have been played at important festivals such as Mito Festival in Milano, Biennale di Venezia, Radio France – Montpellier Festival, Voix Nouvelles Festival in Royaumont, Ars Musica in Brussels, Musica in Strasbourg, Why Note in Dijon, Donaueschingen and the Darmstadt Summer Course.
\nIn 2007 Rapha\u00ebl Cendo was awarded the Prix Espoir of the Francis and Mica Salabert Foundation of for Orchestre Symphonique du Montr\u00e9al. Since 2008 he teaches composition at Conservatoire de Nanterre. From 2009 to 2011 Rapha\u00ebl Cendo was resident at the Acad\u00e9mie de France in Rome (Villa M\u00e9dici), received the Prix Herv\u00e9 Dugardin of Sacem in 2011 and the Prix Pierre Cardin in 2013.
\nAfter 2012 Rapha\u00ebl Cendo will be composition tutor in Darmstadt for the second time.<\/p>\n

\"\"Peter Ablinger
\n<\/strong>Peter Ablinger was born in Schwanenstadt, Austria in 1959. He first studied graphic arts and became enthused by free jazz. He completed his studies in composition with G\u00f6sta Neuwirth and Roman Haubenstock-Ramati in Graz and Vienna. Since 1982 he has lived in Berlin, where he has initiated and conducted numerous festivals and concerts. In 1988 he founded the Ensemble Zwischent\u00f6ne. In 1993 he was a visiting professor at the University of Music, Graz. He has been guest conductor of ‘Klangforum Wien’, ‘United Berlin’ and the ‘Insel Musik Ensemble’. Since 1990 Peter Ablinger has worked as a freelance musician. Since 2013 research professor at the University Huddersfield.
\nFestivals at which Peter Ablinger’s compositions have been performed include the Berlin and Vienna Festwochen, Darmstadt, Donaueschingen, and festivals in Istanbul, Los Angeles, Oslo, Buenos Aires, Hong Kong, London, New York.
\nThe Offenes Kulturhaus Linz, the Di\u00f6zesanmuseum K\u00f6ln, Kunsthalle Wien, Neue Galerie der Stadt Graz, the Kunsthaus Graz, the Akademie der K\u00fcnste Berlin, the Haus am Waldsee Berlin, the Santa Monica Museum of the Arts have showed his installation work over the last few years.
\nPeter Ablinger is one of the few artists today who uses noise without any kind of symbolism – not as a.signifier for chaos, energy, entropy, disorder, or.uproar; not for opposing something, or being.disobedient or destructive; not for everything, for.eternity, or for what-have-you. As in all these cases.of music deliberately involving noise, noise is the.case, but for Ablinger: this alone. Peter Ablinger has.also come a long way in questioning the nature of.sound, time, and space (the components usually thought.central to music), and his findings have jeopardized.and made dubious conventions usually thought.irrefutable. These insights pertain to repetition and.monotony, reduction and redundancy, density and.entropy.<\/p>\n<\/div>\n

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I academy<\/a><\/p>\n

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XII academy<\/a><\/p>\n

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